Hybrids
2025
Oil on Canvas
Video works in which optical flow and depth estimation liquefy duration — time shaped by sensation, not by the clock
This body of video work explores the relationship between time, perception, and emotional states. Shot footage is processed in real time through optical flow inference and depth estimation, then fed into shader-based manipulations that distort its temporal structure. The result is footage in which duration appears to liquefy, accumulate, and collapse images that feel felt, not just seen.
These works are emotional studies: proposals for time as a plastic medium, shaped by sensation, memory, and affect rather than by the clock.
These videos are not edited in the conventional sense — the transformation happens live, in the system, as the footage runs. What appears onscreen is duration itself made visible as something other than sequence: heavier in some moments, thinner in others, capable of accumulation and sudden collapse. They ask whether emotional time and clock time are ever the same thing, and propose that they are not.
